Austin's Hangout

[IQCrash 1]

Someone explain to me what's wrong with her please?

[Sal Paradise 57]

Someone explain to me what's wrong with her please?

she doesn't have a penis?

[HollywoodAFD 0]

Austin,For awhile you were changing your birthday on here every single day so it showed that it was your birthday daily. Do you just get bored easily, or were you waiting for someone to start a Happy Birthday SuitedAces thread? It looks like there is not one person on here that likes you enough to do that.Also, you are the one person on this whole forum that I would not look forward to meeting if you ever went to a FCP gathering. You obviously don't care that myself and a lot of other people don't like you, I just wanted to make my thoughts about you known.Also, I hope Shia Leboooof or whatever the **** his name is gets assraped really hard in jail in the near future.

If this wasn't so long...I'd make it my new sig....Made me LOL

Suited is so emo.

[SuitedAces21 2,722]

I believe there is a lot moreto Suited then what people here see in him. he is complicated but not that hardto figure out.

Then you should have known that this thread wouldnt hurt me at all. In fact, it was just the fix for an attention whore like myself.

[donk4life 34]

SA21, the next time your birthday is listed, I'll make a thread for you. Because apparently that's what you're suppose to do when you like the person.

[SuitedAces21 2,722]

SA21, the next time your birthday is listed, I'll make a thread for you. Because apparently that's what you're suppose to do when you like the person.

http://thatiscorrect.ytmnd.com/

[Jeepster80125 0]

What the fuck is going on in this thread?

[king_tanner 84]

SA21, the next time your birthday is listed, I'll make a thread for you. Because apparently that's what you're suppose to do when you like the person.

no not at all, I just felt like mentioning that he was changing his birthday every day lol.

[Sal Paradise 57]

well I for one, cannot stand suitedaces21. he is disrespectful and belligerent.and homophobic.

[SuitedAces21 2,722]

well I for one, cannot stand suitedaces21. he is disrespectful and belligerent.and homophobic.

homophobic? nah, you're just heterophobic. staring at my jeans watching my genitals bulging. Thats my mothafuckin balls you better let go of 'em, they belong in my scrotum YOU'LL NEVER GET HOLD OF 'EM.

[BigDMcGee 3,352]

It's not surprising to me that Suited is such a American Psycho, both the movie and now the book. The basic crisis of the book isn't the modern existential crisis, but a crisis of identity. The hero has no "self" at all, he is just what he wears, listens to, consumes. Other than that, he was nothing, and that, in a nutshell is Austin. He wears many faces, has many layers of the onion to peel away, but in the end, after all that peeling, there's no core, just layers.

[SuitedAces21 2,722]

It's not surprising to me that Suited is such a American Psycho, both the movie and now the book. The basic crisis of the book isn't the modern existential crisis, but a crisis of identity. The hero has no "self" at all, he is just what he wears, listens to, consumes. Other than that, he was nothing, and that, in a nutshell is Austin. He wears many faces, has many layers of the onion to peel away, but in the end, after all that peeling, there's no core, just layers.

It is so weird that you say that because I was thinking about the exact same thing earlier. I was fantasizing about killing everyone in my Philosophy class. Everyone except these two hot girls. And when they were all dead it would just be the three of us and they would be in awe of my power. And we would fuck like pornstars. But then I had the thought that I am just like Pat Bateman. If you ask anyone that knows me (in real life) they would say I was a pussycat who couldnt hurt a fly.

[donk4life 34]

It is so weird that you say that because I was thinking about the exact same thing earlier. I was fantasizing about killing everyone in my Philosophy class. Everyone except these two hot girls. And when they were all dead it would just be the three of us and they would be in awe of my power. And we would fuck like pornstars. But then I had the thought that I am just like Pat Bateman. If you ask anyone that knows me (in real life) they would say I was a pussycat who couldnt hurt a fly.

Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your *******. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.

[SuitedAces21 2,722]

Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your *******. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.

I'll handle this one, BigD.Ian, you need to read the book. Trust me, its better than you could possibly imagine.

[donk4life 34]

I'll handle this one, BigD.Ian, you need to read the book. Trust me, its better than you could possibly imagine.

I'll look into it, does the movie follow it closely?

[SuitedAces21 2,722]

I'll look into it, does the movie follow it closely?

Yeah, and so much more. So much more.

[donk4life 34]

Yeah, and so much more. So much more.

I'll read it then, and the whole time when I'm reading about Patrick Bateman I'll have an image of Christian Bale in my head.So I got that going for me.

[CindyLou 11]

I'll read it then, and the whole time when I'm reading about Patrick Bateman I'll have an image of Christian Bale in my head.So I got that going for me.

Just don't read his lines in his Batman voice.Or maybe you should?

[donk4life 34]

Just don't read his lines in his Batman voice.Or maybe you should?

I was thinking of using his empire of the sun voice TBH..

[rcgs59 15]

Then you should have known that this thread wouldnt hurt me at all. In fact, it was just the fix for an attention whore like myself.

your an interesting specimen

[IQCrash 1]

your an interesting specimen

you have interesting semen

I couldn't decide on a fyp, so I did both.

[BigDMcGee 3,352]

Whitney Houston burst onto the music scene in 1985 with her self-titled LP which had four number one hit singles on it, including "The Greatest Love of All," "You Give Good Love" and "Saving All My Love for You," plus it won a Grammy Award for best pop vocal performance by a female and two American Music Awards, one for best rhythm and blues single and another for best rhythm and blues video. She was also cited as best new artist of the year by Billboard and by Rolling Stone magazine. With all this hype one might expect the album to be an anticlimactic, lackluster affair, but the surprise is that Whitney Houston (Arista) is one of the warmest, most complex and altogether satisfying rhythm and blues records of the decade and Whitney herself has a voice that defies belief. From the elegant, beautiful photo of her on the cover of the album (in a gown by Giovanne De Maura) and its fairly sexy counterpart on the back (in a bathing suit by Norma Kaman) one knows that this isn't going to be a blandly professional affair; the record is smooth but intense and Whitney's voice leaps across so many boundaries and is so versatile (though she's mainly a jazz singer) that it's hard to take in the album on a first listening. But you won't want to. You'll want to savor it over many. It opens with "You Give Good Love" and "Thinking About You," both produced and arranged by Kashif, and they emanate warm, lush jazz arrangements but with a contemporary synthesized beat and though they're both really good songs, the album doesn't get kicking until "Someone for Me" which was produced by Jermaine Jackson, where Whitney sings longingly against a jazz-disco background and the difference between her longing and the sprightliness of the song is very moving. The ballad "Saving All My Love for You" is the sexiest, most romantic song on the record. It also has a killer saxophone solo by Tom Scott and one can hear the influences of sixties girl-group pop in it (it was cowritten by Gerry Goffin) but the sixties girl groups were never this emotional or sexy (or as well produced) as this song is. "Nobody Loves Me Like You Do" is a glorious duet with Jermaine Jackson (who also produced it) and just one example of how sophisticated lyrically this album is. The last thing it suffers from is a paucity of decent lyrics which is what usually happens when a singer doesn't write her own material and has to have her producer choose it. But Whitney and company have picked well here. The dance single "How Will I Know" (my vote for best dance song of the 1980s) is a joyous ode to a girl's nervousness about whether another guy is interested in her. It's got a great keyboard riff and it's the only track on the album produced by wunderkind producer Narada Michael Walden. My own personal favorite ballad (aside from 'The Greatest Love of All" - her crowning achievement) is "All at Once" which is about how a young woman realizes all at once her lover is fading away from her and it's accompanied by a gorgeous string arrangement. Even though nothing on the album sounds like filler, the only track that might come close is "Take Good Care of My Heart," another duet with Jermaine Jackson. The problem is that it strays from the album's jazz roots and seems too in. fluenced by 1980s dance music. But Whitney's talent is restored with the overwhelming "The Greatest Love of All," one of the best, most powerful songs ever written about self-preservation and dignity. From the first line (Michael Masser and Linda Creed are credited as the writers) to the last, it's a state-of-the-art ballad about believing in yourself. It's a powerful statement and one that Whitney sings with a grandeur that approaches the sublime. Its universal message crosses all boundaries and instills one with the hope that it's not too late for us to better ourselves, to act kinder. Since it's impossible in the world we live in to empathize with others, we can always empathize with ourselves. It's an important message, crucial really, and it's beautifully stated on this album. Her second effort, Whitney (Arista, 1987), had four number one singles, "I Wanna Dance with Somebody," "So Emotional," "Didn't We Almost Have It All?" and "Where Do Broken Hearts Go?" and was mostly produced by Narada Michael Walden and though it's not as serious an effort as Whitney Houston it's hardly a victim of Sophomore Slump. It starts off with the bouncy; danceable "I Wanna Dance with Somebody (Who Loves Me)" which is in the same vein as the last album's irrepressible "How Will I Know." This is followed by the sensuous "Just the Lonely Talking Again" and it reflects the serious jazz influence that permeated the first album and one can also sense a newfound artistic maturity in Whitney's voice - she did all the vocal arrangements on this album - and this is all very evident on "Love Will Save the Day" which is the most ambitious song Whitney's yet performed. It was produced by Jellybean Benitez and it pulsates with an uptempo intensity and like most of the songs on this album it reflects a grownup's awareness of the world we all live in. She sings and we believe it. This is quite a change from the softer, little-girl-lost image that was so appealing on the first album. She projects an even more adult image on the Michael Masser-produced "Didn't We Almost Have It All," a song about meeting up with a long-lost lover and letting him know your feelings about the past affair, and it's Whitney at her most poetic. And as on most of the ballads there's a gorgeous string arrangement. "So Emotional" is in the same vein as "How Will I Know" and "I Wanna Dance with Somebody" but it's even more rock-influenced and, like all the songs on Whitney, played by a terrific backup studio band with Narada on drum machine, Wolter Afanasieff on the synthesizer and synth bass, Corrado Rustici on synth guitar, and someone listed as Bongo Bob on percussion programming and drum sampling. "Where You Are" is the only song on the album produced by Kashif and it bears his indelible imprint of professionalism - it has a smooth, gleaming sound and sheen to it with a funky sax solo by Vincent Henry. It sounded like a hit single to me (but then all the songs on the album do) and I wondered why it wasn't released as one. "Love Is a Contact Sport" is the album's real surprise - a big-sounding, bold, sexy number that, in terms of production, is the album's centerpiece, and it has great lyrics along with a good beat. It's one of my favorites. On "You're Still My Man" you can hear how clearly Whitney's voice is like an instrument - a flawless, warm machine that almost overpowers the sentiment of her music, but the lyrics and the melodies are too distinctive, too strong to let any singer, even one of Whitney's caliber, overshadow them. "For the Love of You" shows off Narada's brilliant drum programming capabilities and its jazzy modern feel harks back not only to purveyors of modern jazz like Michael Jackson and Sade but also to other artists, like Miles Davis, Paul Butterfield and Bobby McFerrin. "Where Do Broken Hearts Go" is the album's most powerful emotional statement of innocence lost and trying to regain the safety of childhood. Her voice is as lovely and controlled as it ever has been and it leads up to "I Know Him So Well," the most moving moment on the record because it's first and foremost a duet with her mother, Cissy. It's a ballad about… who? - a lover shared? a long-lost father? - with a combination of longing, regret, determination and beauty that ends the album on a graceful, perfect note. We can expect new things from Whitney (she made a stunning gift to the 1988 Olympics with the ballad "One Moment in Time") but even if we didn't, she would remain the most exciting and original black jazz voice of her generation.

FYP

[HollywoodAFD 0]

I was thinking of using his empire of the sun voice TBH..

That's dead sexy !

[donk4life 34]

I really love that new song by the killers.

[rcgs59 15]

BigD dam your too young, sexy isn't the word I was thinking of , cold shower timeand IQCrash looooooool